In this skateboard triptych, the iconic cartoon character Popeye take centre stage, with an opened can of spinach clutched in his hand and surrounded by graffiti like swirls.
In his own words, French artist JR creates ‘infiltrating art’ and is driven by an ambition to bring art to as many people as possible. Hence, he creates epic installations all over the world, involving hundreds of thousands of people and blurring the line between...
In his own words, French artist JR creates ‘infiltrating art’ and is driven by an ambition to bring art to as many people as possible. Hence, he creates epic installations all over the world, involving hundreds of thousands of people and blurring the line between...
Running Fences White captures Christo and Jeanne-Claude’s installation art piece Running Fence, 1972-76, which was made up of 200,000 square meters of white nylon hung between steel poles located in the hills of Sonoma and Marin Counties.
An icon of British Pop Art, Peter Blake positions an eclectic trio of notable figures in front of the Empire State building with his signature use of collage and symbolism.
Marc Chagall’s Exhibition Lithograph is built from vibrant hues of yellow, green and red, in an abstract composition that was used for the poster of a solo exhibition at Galerie Maeght, Paris in 1969.
Referencing the Cubist vocabulary and the Machine Age, Fernand Léger’s The Village XVIII from The Village series explores modernity and contemporary life through his trademark manipulation of colour and form
Referencing Cubist vocabularies and the Machine Age, Fernand Léger’s The Village XVII from The Village series explores modernity and contemporary life through his trademark manipulation of colour and form
Referencing Cubist vocabularies and the Machine Age, Fernand Léger’s The Village XIX from The Village series explores modernity and contemporary life through his trademark manipulation of colour and form.
Referencing Cubist vocabularies and the Machine Age, Fernand Léger’s The Village XI from The Village series explores modernity and contemporary life through his trademark manipulation of colour and form
Referencing Cubist vocabularies and the Machine Age, Fernand Léger’s The Village XI from The Village series explores modernity and contemporary life through his trademark manipulation of colour and form
Referencing Cubist vocabularies and the Machine Age, Fernand Leger’s The Village VIII from The Village series explores modernity and contemporary life through his trademark manipulation of colour and form
Referencing Cubist vocabularies and the Machine Age, Fernand Léger’s The Village VII from The Village series explores modernity and contemporary life through his trademark manipulation of colour and form
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