In 2021, Damien unveiled ‘The Virtues’ (H9), his second print series after his “garish and messy and fragile” ‘Cherry Blossoms’ (2018-20) paintings. The monumental canvases have been translated here into a vivid series of eight laminated Giclée prints on aluminium composite panels which captures the...
Bringing together vibrant hues and symbols from popular culture, Mr Brainwash’s Everyday Life displays a chimpanzee sat on a coolbox in the act of spraying the words ‘FOLLOW YOUR DREAMS’ in red onto an already mass graffitti’d wall.
Derived from Gerhard Richter’s eponymous oil on canvas from 2006, ‘Haggadah’ (2014) is characterised by tantalising and exciting passages of yellow, grey, red, green and blue. Published as a chromogenic print by HENI, ‘Haggadah’ is entrancing for its seemingly endless layers of mesmerising paint and changing...
Dualitas by Left Out There displays colourful squiggles visually similar to cell structures or vibrations, contained within a circular form and set against a divided background of blue and purple.
Born out a practice of destruction was Gerhard Richter’s ‘Cage’ series of six paintings from 2006. Invigorated by the dynamic bodily movements of the artist, Richter’s monumental ‘Cage’ canvases are rich in texture and captivating in their depth of colour. Emotive, layered and full of selected accidents, the ‘Cage’ series pays tribute to the great experimental composer John Cage (1912-92). Richter...
Internationally recognised for his irreverent approach to artmaking, blurring the lines between media and expanding their possibilities, Damien Hirst has helped set contemporary art on a practically limitless course. Through a decisive interplay of technology, technique and material, Hirst’s artworks engage with his signature themes...
Born out a practice of destruction was Gerhard Richter’s ‘Cage’ series of six paintings from 2006. Invigorated by the dynamic bodily movements of the artist, Richter’s monumental ‘Cage’ canvases are rich in texture and captivating in their depth of colour. Emotive, layered and full of selected accidents, the ‘Cage’ series pays tribute to the great experimental composer John Cage (1912-92). Richter...
One of a series of Giclée prints based on Gerhard Richter’s ‘Cage Paintings’ (2006) series, ‘Cage 3’ (P19-3, 2020) is an intensely textured and evocative work. The image is primarily composed of light grey and white, which traverse the picture plane in horizontal bands, peppered...
‘Cage 1’ (P19-1, 2020) is a Giclée print made after the first of Gerhard Richter’s monumental series of ‘Cage Paintings’ (2006). Originally, Richter intended for the canvases of his ‘Cage’ series to be painted after photographs of atomic structures, but unexpectedly initiated a practice of...
Referencing Impressionism, Pointillism and Action Painting, the Cherry Blossoms are about the spontaneous joy of spring. Damien Hirst said “Cherry Blossoms are about beauty and life and death. They’re extreme – there’s something hopeful yet hopeless about them. They’re art but taken from nature. They’re...
Referencing Impressionism, Pointillism and Action Painting, the Cherry Blossoms are about the spontaneous joy of spring. Damien Hirst said “Cherry Blossoms are about beauty and life and death. They’re extreme – there’s something hopeful yet hopeless about them. They’re art but taken from nature. They’re...
Referencing Impressionism, Pointillism and Action Painting, the Cherry Blossoms are about the spontaneous joy of spring. Damien Hirst said “Cherry Blossoms are about beauty and life and death. They’re extreme – there’s something hopeful yet hopeless about them. They’re art but taken from nature. They’re...
Referencing Impressionism, Pointillism and Action Painting, the Cherry Blossoms are about the spontaneous joy of spring. Damien Hirst said “Cherry Blossoms are about beauty and life and death. They’re extreme – there’s something hopeful yet hopeless about them. They’re art but taken from nature. They’re...
Referencing Impressionism, Pointillism and Action Painting, the Cherry Blossoms are about the spontaneous joy of spring. Damien Hirst said “Cherry Blossoms are about beauty and life and death. They’re extreme – there’s something hopeful yet hopeless about them. They’re art but taken from nature. They’re...
Damien Hirst’s seemingly abstract candy-coloured flower field, ‘Garden of Dreams’ (2018), is an engulfing facsimile print from his ‘Veil Paintings’ series (2017). Across the series Hirst filled the pictorial space with Bonnard-like colours using a technique reminiscent of Pointillism to create veil-like works, compositions that actas 'a barrier, a curtain between two things...it’s solid yet invisible and reveals and yet obscures the truth’...read more
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