Gerhard Richter’s ‘Bagdad’ (2010) began as a psychedelic palette of enamel paints which were poured onto a flat surface and allowed to interact, overlap and expand. The results are moments like the seashell‐like swirls in the work’s upper right corner and the lava‐like flows in its bottom left, constructing one of the most diverse and dynamic works produced through this process...read more