Henri de Toulouse-Lautrec’s Yvette Guilbert, A Ménilmontant de Bruant places a sketched female figure at the centre of the composition, elegantly dressed and leaning back to look to the top left corner.
Referencing contemporary society and popular culture, David Salle engages with a range of recognisable motifs through the use of a bold colour palette.
Referencing contemporary society and popular culture, David Salle engages with a range of recognisable motifs through the use of a bold colour palette.
The colour lithograph Composition with Two Dancers by Fernand Léger brings together layered geometric forms and two sculptural abstracted figures poised as if engaged in conversation.
Power and Glory IV by Shepard Fairey brings together hues of red and gold, alongside geometric shapes and patterning to present a composition that uses visual elements alike those found in national flags and currencies.
Power and Glory I by Shepard Fairey brings together hues of red and gold, alongside geometric shapes and patterning to present a composition that uses visual elements alike those found in national flags and currencies.
In Marc Chagall’s monographic lithograph, Offering, the artist illustrates a female figure striding forward, with a bouquet of flower clasped in her hands.
Antony Gormley’s Body presents a giclée print that places the human form centrally and sees a diffusion of black seep throughout the composition at varying levels of opacity.
The Idiot (Ukraine) by the Connor Brothers presents an example of the artists’ practice of refashioning the imagery of a Penguins Classics novel, inserting their own slogans as the title.
Small Lie is a set of three vinyl figures by KAWS, in black, brown and grey. The characters take on the same stance, with their heads bowed down, shoulders slouched, toes pointed together and arms hanging down.
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