Power and Glory IV by Shepard Fairey brings together hues of red and gold, alongside geometric shapes and patterning to present a composition that uses visual elements alike those found in national flags and currencies.
Power and Glory I by Shepard Fairey brings together hues of red and gold, alongside geometric shapes and patterning to present a composition that uses visual elements alike those found in national flags and currencies.
In Marc Chagall’s monographic lithograph, Offering, the artist illustrates a female figure striding forward, with a bouquet of flower clasped in her hands.
Antony Gormley’s Body presents a giclée print that places the human form centrally and sees a diffusion of black seep throughout the composition at varying levels of opacity.
The Idiot (Ukraine) by the Connor Brothers presents an example of the artists’ practice of refashioning the imagery of a Penguins Classics novel, inserting their own slogans as the title.
Small Lie is a set of three vinyl figures by KAWS, in black, brown and grey. The characters take on the same stance, with their heads bowed down, shoulders slouched, toes pointed together and arms hanging down.
Profile and Red Child by Marc Chagall depicts a large green profile, whose hand is reaching out to a smaller red figure, posed before a leafy blue backdrop.
The Promise (Grey) by KAWS sees two of the artist’s figurative character, Companion, cast in vinyl, with the larger of the two passing a globe to the smaller.
Willem De Kooning’s Untitled from the Frank O’Hara book (When I am feeling depressed and anxious) presents a lithograph from one of the artist’s charcoal drawings created to accompany the poetry of Frank O’Hara.
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